Which Phrase Best Describes Contemporary Art (2022)

Fine art of the present time

Which Phrase Best Describes Contemporary Art (1)

Which Phrase Best Describes Contemporary Art (2)

Contemporary art
is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing earth. Their art is a dynamic combination of materials, methods, concepts, and subjects that continue the challenging of boundaries that was already well underway in the 20th century. Diverse and eclectic, contemporary art as a whole is distinguished by the very lack of a uniform, organising principle, ideology, or “-ism”. Contemporary fine art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, and nationality.

(Video) Contemporary Art Jewelry in Perspective

In vernacular English,
modern
and
contemporary
are synonyms, resulting in some conflation and defoliation of the terms
modern art
and
contemporary fine art
by non-specialists.[1]

Scope

[edit]

Some define contemporary art equally art produced within “our lifetime,” recognising that lifetimes and life spans vary. However, there is a recognition that this generic definition is subject to specialized limitations.[ii]

The classification of “contemporary fine art” equally a special type of art, rather than a general adjectival phrase, goes back to the ancestry of Modernism in the English-speaking globe. In London, the Contemporary Art Order was founded in 1910 by the critic Roger Fry and others, as a individual society for ownership works of art to place in public museums.[3]
A number of other institutions using the term were founded in the 1930s, such as in 1938 the Contemporary Fine art Society of Adelaide, Australia,[four]
and an increasing number after 1945.[5]
Many, similar the Institute of Contemporary Art, Boston changed their names from ones using “Modern art” in this period, as Modernism became defined as a historical art movement, and much “modern” art ceased to be “gimmicky”. The definition of what is contemporary is naturally always on the move, anchored in the present with a showtime date that moves forwards, and the works the Contemporary Art Club bought in 1910 could no longer be described as contemporary.

Which Phrase Best Describes Contemporary Art (3)

Particular points that have been seen as marking a change in art styles include the cease of World War 2 and the 1960s. There has perhaps been a lack of natural break points since the 1960s, and definitions of what constitutes “gimmicky art” in the 2010s vary, and are mostly imprecise. Fine art from the by 20 years is very likely to be included, and definitions often include art going back to nearly 1970;[vi]
“the fine art of the late 20th and early on 21st century”;[seven]
“both an outgrowth and a rejection of mod art”;[8]
“Strictly speaking, the term “contemporary art” refers to art made and produced by artists living today”;[ix]
“Art from the 1960s or [nineteen]70s upwards until this very infinitesimal”;[10]
and sometimes farther, especially in museum contexts, as museums which form a permanent collection of contemporary art inevitably find this aging. Many use the formulation “Modern and Contemporary Art”, which avoids this trouble.[11]
Smaller commercial galleries, magazines and other sources may use stricter definitions, maybe restricting the “contemporary” to work from 2000 onwards. Artists who are still productive after a long career, and ongoing art movements, may present a particular event; galleries and critics are oftentimes reluctant to divide their work between the gimmicky and non-contemporary.[
commendation needed
]

Sociologist Nathalie Heinich draws a stardom between modern and contemporary art, describing them as 2 different paradigms which partially overlap historically. She found that while “modern art” challenges the conventions of representation, “contemporary art” challenges the very notion of an artwork.[12]
She regards Duchamp’s
Fountain
(which was fabricated in the 1910s in the midst of the triumph of modern art) as the starting bespeak of contemporary art, which gained momentum after World War II with Gutai’southward performances, Yves Klein’s monochromes and Rauschenberg’s
Erased de Kooning Cartoon.[xiii]

Themes

[edit]

Which Phrase Best Describes Contemporary Art (4)

Irbid, Jordan, “We are Arabs. We are Humans”.
Inside Out
is a global participatory art projection, initiated by the French photographer JR, an example of Street art

(Video) Artist Talk: Ellen Fullman, "Constructing a Musical Phrase from the Ground Up"

Gimmicky artwork is characterised by multifariousness: variety of material, of form, of subject matter, and fifty-fifty time periods. It is “distinguished by the very lack of a compatible organizing principle, ideology, or – ism”[fourteen]
that is seen in many other art periods and movements. The focus of Modernism is cocky-referential. Impressionism looks at our perception of a moment through low-cal and color, as opposed to the attempt to reflect stark reality in Realism. Gimmicky art, on the other hand, does not accept one, single objective or point of view, so it can be contradictory and open up-ended. There are yet several mutual themes that have appeared in gimmicky works, such as identity politics, the body, globalization and migration, technology, contemporary society and culture, time and retentivity, and institutional and political critique.[xv]

Popular: 7-1 Final Project Final Company Performance Summary

Institutions

[edit]

Which Phrase Best Describes Contemporary Art (5)

Which Phrase Best Describes Contemporary Art (6)

Which Phrase Best Describes Contemporary Art (7)

(Video) CONCEPTUALIZING CONTEMPORARY ARTS BASED ON TECHNIQUES & LOCAL PERFORMANCE ll CHARISSA ANNE AGUSTIN

The performance of the art world is dependent on art institutions, ranging from major museums to private galleries, non-profit spaces, art schools and publishers, and the practices of individual artists, curators, writers, collectors, and philanthropists. A major segmentation in the fine art world is between the for-profit and not-turn a profit sectors, although in recent years the boundaries between for-turn a profit individual and not-turn a profit public institutions take become increasingly blurred.[
citation needed
]

Most well-known contemporary art is exhibited by professional person artists at commercial contemporary art galleries, by private collectors, art auctions, corporations, publicly funded arts organizations, contemporary art museums or by artists themselves in artist-run spaces.[sixteen]
Gimmicky artists are supported by grants, awards, and prizes as well as past direct sales of their work. Career artists train at art school or emerge from other fields.[
commendation needed
]

In that location are close relationships between publicly funded contemporary art organizations and the commercial sector. For instance, in 2005 the book
Agreement International Fine art Markets and Management
reported that in Britain a handful of dealers represented the artists featured in leading publicly funded contemporary art museums.[17]
Commercial organizations include galleries and fine art fairs.[18]

Corporations have too integrated themselves into the gimmicky art world, exhibiting contemporary art within their bounds, organizing and sponsoring gimmicky art awards, and building upwardly extensive corporate collections.[19]
Corporate advertisers ofttimes use the prestige associated with contemporary art and coolhunting to draw the attention of consumers to luxury goods.[20]

The institutions of fine art have been criticized for regulating what is designated as gimmicky art. Outsider fine art, for instance, is literally contemporary art, in that it is produced in the nowadays day. However, one critic has argued it is non considered and so because the artists are self-taught and are thus assumed to be working outside of an art historical context.[21]
Arts and crafts activities, such as textile pattern, are also excluded from the realm of contemporary art, despite large audiences for exhibitions.[22]
Art critic Peter Timms has said that attention is drawn to the way that craft objects must subscribe to particular values in gild to exist admitted to the realm of contemporary art. “A ceramic object that is intended as a subversive comment on the nature of dazzler is more likely to fit the definition of gimmicky art than one that is simply beautiful.”[23]

At any in one case a particular place or group of artists can have a potent influence on subsequent contemporary art. For instance, The Ferus Gallery was a commercial gallery in Los Angeles and re-invigorated the Californian contemporary art scene in the late fifties and the sixties.

Public attitudes

[edit]

Contemporary fine art can sometimes seem at odds with a public that does not experience that art and its institutions share its values.[24]
In Britain, in the 1990s, contemporary fine art became a part of popular culture, with artists becoming stars, only this did not lead to a hoped-for “cultural utopia”.[25]
Some critics like Julian Spalding and Donald Kuspit have suggested that skepticism, fifty-fifty rejection, is a legitimate and reasonable response to much contemporary fine art.[26]
Brian Ashbee in an essay chosen “Art Bollocks” criticizes “much installation art, photography, conceptual art, video and other practices mostly called mail-mod” as beingness too dependent on verbal explanations in the form of theoretical discourse.[27]
Yet, the acceptance of non traditional art in museums has increased due to changing perspectives on what constitutes an art piece.[28]

Concerns

[edit]

A common concern since the early part of the 20th century has been the question of what constitutes art. In the contemporary catamenia (1950 to now), the concept of advanced[29]
may come into play in determining what art is noticed by galleries, museums, and collectors.

(Video) History

The concerns of contemporary art come in for criticism as well. Andrea Rosen has said that some contemporary painters “take absolutely no idea of what it means to exist a contemporary artist” and that they “are in it for all the wrong reasons.”[xxx]

Popular: Which of the Following Solutions is a Buffer

Prizes

[edit]

Some competitions, awards, and prizes in gimmicky art are:

  • Emerging Artist Accolade awarded by The Aldrich Gimmicky Art Museum
  • Gene Prize in Southern Fine art
  • Hugo Boss Prize awarded by the Solomon R. Guggenheim Museum
  • John Moore’s Painting Prize
  • Kandinsky Prize for Russian artists under thirty
  • Marcel Duchamp Prize awarded by ADIAF and Centre Pompidou
  • Ricard Prize for a French creative person nether twoscore
  • Turner Prize for British artists
  • Participation in the Whitney Biennial
  • Vincent Award, The Vincent van Gogh Biennial Award for Contemporary Art in Europe
  • The Winifred Shantz Honor for Ceramists, awarded by the Canadian Dirt and Drinking glass Gallery
  • Asia Pacific Breweries Foundation Signature Art Prize[31]
  • Jindřich Chalupecký Laurels for Czech artists under 35[32]

History

[edit]

This table lists art movements and styles by decade. Information technology should not be causeless to exist conclusive.

1950s

[edit]

  • Abstract Expressionism
  • American Figurative Expressionism
  • American scene painting
  • Antipodeans
  • Bay Area Figurative Motility
  • Brutalism
  • COBRA (avant-garde motility)
  • Color Field
  • Generación de la Ruptura
  • Gutai group
  • Lenticular prints
  • Les Plasticiens
  • Lyrical Abstraction (Abstract lyrique)
  • Modern traditional Balinese painting
  • New York Figurative Expressionism
  • New York School
  • Series fine art
  • Situationist International
  • Soviet Nonconformist Fine art
  • Cerise Shirt School of Photography
  • Tachisme
  • Vienna School of Fantastic Realism
  • Washington Color School

1960s

[edit]

  • Abstract expressionism
  • Abstract Imagists
  • American Figurative Expressionism
  • Fine art & Language
  • Bay Expanse Figurative Movement
  • BMPT
  • Chicago Imagists
  • Chicano art motion
  • Color field
  • Computer art
  • Conceptual art
  • Fluxus
  • Happenings
  • Hard-border painting
  • Lenticular prints
  • Kinetic art
  • Calorie-free and Space
  • Lyrical Abstraction (American version)
  • Minimalism
  • Mono-ha
  • Neo-Dada
  • New York Schoolhouse
  • Nouveau Réalisme
  • Op Art
  • Performance art
  • Plop Art
  • Pop Art
  • Postminimalism
  • Postal service-painterly Abstraction
  • Psychedelic fine art
  • Retro art
  • Soft sculpture
  • Street art
  • Sustainable fine art
  • Systems art
  • Video fine art
  • Zero

1970s

[edit]

  • Arte Povera
  • Ascii Art
  • Bad Painting
  • Body art
  • Artist’s book
  • COUM Transmissions
  • Environmental art
  • Feminist fine art
  • Froissage
  • Holography
  • Installation art
  • State Art
  • Lowbrow (art motility)
  • Postal service art
  • Papunya Tula
  • Photorealism
  • Postminimalism
  • Procedure Art
  • Robotic fine art
  • Saint Soleil School
  • Video art
  • Funk art
  • Pattern and Decoration
  • Warli painting revival
  • Wildstyle

1980s

[edit]

  • NAMES Projection AIDS Memorial Quilt
  • Appropriation art
  • Civilization jamming
  • Demoscene
  • Electronic art
  • Figuration Libre
  • Fractal art
  • Graffiti Art
  • Late Modernism
  • Alive fine art
  • Neue Slowenische Kunst
  • Postmodern art
  • Neo-conceptual art
  • Neo-expressionism
  • Neo-pop
  • Sound art
  • Transavantgarde
  • Transgressive fine art
  • Vancouver Schoolhouse
  • Video installation
  • Institutional Critique
  • Western and Key Desert fine art

1990s

[edit]

  • Art intervention
  • Bio art
  • Cyberarts
  • Cynical Realism
  • Digital Art
  • Hyperrealism
  • Information fine art
  • Net art
  • Massurrealism
  • Maximalism
  • New Leipzig Schoolhouse
  • New media art
  • New European Painting
  • Relational art
  • Software fine art
  • Toyism
  • Tactical media
  • Taring Padi
  • Verdadism
  • Western and Key Desert art
  • Young British Artists

2000s

[edit]

  • Altermodern
  • Classical Realism
  • Excessivism
  • idea art
  • Kitsch movement
  • Mail-gimmicky
  • Metamodernism
  • Pseudorealism
  • Remodernism
  • Renewable free energy sculpture
  • Stuckism
  • Superflat
  • Superstroke
  • Urban art
  • Videogame art
  • VJ fine art
  • Virtual art

2010s

[edit]

  • Postinternet
  • Vaporwave
  • Art Résilience

See also

[edit]

  • Acculturation
  • Anti-art and Anti-anti-fine art
  • Fine art:21 – Art in the 21st Century
    (2001-2016), a PBS series
  • Criticism of postmodernism
  • Classificatory disputes most art
  • List of contemporary art museums
  • List of contemporary artists
  • Medium specificity
  • Reductive art
  • Value theory
  • Visual arts
  • Give-and-take art
  • New media art

Notes

[edit]


  1. ^

    NYU Steinhardt, Department of Fine art and Arts Professions, New York

  2. ^


    Esaak, Shelley. “What is “Gimmicky” Art?”.
    About.com
    . Retrieved
    28 April
    2013
    .



  3. ^

    Fry Roger, Ed. Craufurd D. Goodwin,
    Fine art and the Market: Roger Fry on Commerce in Art, 1999, University of Michigan Printing, ISBN0472109022, 9780472109029, google books

  4. ^

    Likewise the Contemporary Arts Order of Montreal, 1939–1948

  5. ^

    Smith, 257–258

  6. ^

    Some definitions: “Art21 defines contemporary fine art as the piece of work of artists who are living in the twenty-first century.” Art21

  7. ^


    “Contemporary art – Ascertain Contemporary art at Dictionary.com”.
    Dictionary.com.



  8. ^


    “Yahoo”. Archived from the original on 2013-07-20.


  9. ^


    “About Contemporary Fine art (Instruction at the Getty)”.


  10. ^


    Shelley Esaak. “What is Contemporary Fine art?”.
    Virtually.com Education.



  11. ^

    Examples of specializing museums include the Strasbourg Museum of Modernistic and Gimmicky Art and Museum of Modern and Contemporary Fine art of Trento and Rovereto. The
    Oxford Dictionary of Modern and Contemporary Art
    is one of many book titles to utilize the phrase.

  12. ^

    Heinich, Nathalie, Ed. Gallimard,
    Le paradigme de l’art contemporain: Structures d’une révolution artistique
    , 2014, ISBN2070139239, 9782070139231, google books

  13. ^

    Nathalie Heinich lecture “Contemporary art: an artistic revolution? at ‘Agora des savoirs’ 21st edition, 6 May 2015.

  14. ^

    Gimmicky Art in Context. (2016). Retrieved Dec xi, 2016

  15. ^

    Robertson, J., & McDaniel, C. (2012).
    Themes of Contemporary Art: Visual Fine art afterwards 1980
    (third ed.). Oxford: Oxford University Press.

  16. ^


    “Largest Art & Language Collection Finds Dwelling – artnet News”.
    artnet News. 2015-06-23. Retrieved
    2018-09-x
    .



  17. ^

    Derrick Chong in Iain Robertson,
    Agreement International Art Markets And Direction, Routledge, 2005, p95. ISBN0-415-33956-1

  18. ^


    Grishin, Sasha. “With commercial galleries an endangered species, are art fairs a necessary evil?”.
    The Conversation
    . Retrieved
    2019-12-05
    .



  19. ^

    Mentum-Tao Wu,
    Privatising Culture: Corporate Fine art Intervention Since the 1980s, Verso, 2002, p14. ISBN1-85984-472-three

  20. ^

    Jasmin Mosielski,
    Coolhunting: Evaluating the Chapters for Agency and Resistance in the Consumption of Mass Produced Culturally-Relevant Goods
    (Ph.D. diss., Carleton Univ., 2012); and Peter Andreas Gloor and Scott M. Cooper,
    Coolhunting: Chasing Down the Next Big Matter
    (NYC: AMACOM, 2007), 168-70. ISBN0814400655

  21. ^

    Gary Alan Fine,
    Everyday Genius: Self-Taught Fine art and the Culture of Authenticity, University of Chicago Press, 2004, pp42-43. ISBN0-226-24950-6

  22. ^

    Peter Dormer,
    The Culture of Craft: Status and Future, Manchester University Press, 1996, p175. ISBN0-7190-4618-1

  23. ^

    Peter Timms,
    What’s Wrong with Contemporary Art?, UNSW Press, 2004, p17. ISBN0-86840-407-1

  24. ^

    Mary Jane Jacob and Michael Brenson,
    Conversations at the Castle: Changing Audiences and Gimmicky Art, MIT Printing, 1998, p30. ISBN0-262-10072-X

  25. ^

    Julian Stallabrass,
    High Fine art Calorie-free: British Art in the 1990s, Verso, 1999, pp1-ii. ISBNi-85984-721-8

  26. ^

    Spalding, Julian,
    The Eclipse of Art: Tackling the Crisis in Fine art Today, Prestel Publishing, 2003. ISBNthree-7913-2881-6

  27. ^


    “Fine art Bollocks”. Ipod.org.uk. 1990-05-05. Archived from the original on sixteen July 2011. Retrieved
    2011-08-17
    .



  28. ^


    “What is Fine art? | Dizzying Art History”.
    courses.lumenlearning.com
    . Retrieved
    2018-05-04
    .



  29. ^

    Fred Orton & Griselda Pollock,
    Avant-Gardes and Partisans Reviewed. Manchester University, 1996. ISBN0-7190-4399-9

  30. ^

    Haas, Nancy (2000-03-05), “Stirring Upward the Fine art Earth Again”.
    The New York Times, [1].

  31. ^


    “Signature Art Prize – Home”. Archived from the original on 2014-11-06.


  32. ^

    Jindřich Chalupecký Award Archived 2007-09-27 at the Wayback Automobile
Popular: In Which Species Does Nitrogen Have the Highest Oxidation Number
(Video) How Hannah Gadsby's High-Functioning Autism Works | Netflix Is A Joke

References

[edit]

  • Smith, Terry (2009).
    What Is Contemporary Fine art?. Chicago: Academy of Chicago Press. ISBN978-0226764313
    . Retrieved
    26 April
    2013
    .

  • Meyer, Richard (2013).
    What Was Contemporary Art?. Cambridge: MIT Press. ISBN978-0262135085
    . Retrieved
    26 Oct
    2014
    .

Further reading

[edit]

  • Altshuler, B. (2013).
    Biennials and Beyond: Exhibitions that Made Fine art History: 1962-2002. New York, N.Y.: Phaidon Press, ISBN978-0714864952
  • Atkins, Robert (2013).
    Artspeak: A Guide To Contemporary Ideas, Movements, and Buzzwords, 1945 To the Present
    (3rd.ed.). New York: Abbeville Printing. ISBN978-0789211514.

  • Danto, A. C. (2013).
    What is fine art. New Oasis: Yale University Press, ISBN978-0300205718
  • Desai, V. North. (Ed.). (2007).
    Asian art history in the twenty-first century. Williamstown, Mass.: Sterling and Francine Clark Art Institute, ISBN978-0300125535
  • Fullerton, E. (2016).
    Artrage!: the story of the BritArt revolution. London: Thames & Hudson Ltd, ISBN978-0500239445
  • Gielen, Pascal (2009).
    The Murmuring of the Artistic Multitude: Global Art, Memory and Mail-Fordism. Amsterdam: Valiz, ISBN9789078088394
  • Gompertz, West. (2013).
    What Are You Looking At?: The Surprising, Shocking, and Sometimes Foreign Story of 150 Years of Modern Art
    (2nd ed.). New York, N.Y.: Plume, ISBN978-0142180297
  • Harris, J. (2011).
    Globalization and Contemporary Art. Hoboken, North.J.: Wiley-Blackwell, ISBN978-1405179508
  • Lailach, M. (2007).
    Land Art. London: Taschen, ISBN978-3822856130
  • Martin, S. (2006).
    Video Art. (U. Grosenick, Ed.). Los Angeles: Taschen, ISBN978-3822829509
  • Mercer, K. (2008).
    Exiles, diasporas & strangers. Cambridge, Massachusetts: MIT Press, ISBN978-0262633581
  • Robertson, J., & McDaniel, C. (2012).
    Themes of Gimmicky Art: Visual Art after 1980
    (3rd ed.). Oxford: Oxford University Press, ISBN978-0199797073
  • Robinson, H. (Ed.). (2015).
    Feminism-art-theory: an anthology 1968-2014
    (2nd ed.). Chichester, Westward Sussex: Wiley-Blackwell, ISBN978-1118360590
  • Stiles, Kristine and Peter Howard Selz,
    Theories and Documents of Contemporary Art, A Sourcebook of Artists’south Writings
    (1996), ISBN0-520-20251-ane
  • Strehovec, J. (2020).Contemporary Fine art Impacts on Scientific, Social, and Cultural Paradigms: Emerging Research and Opportunities. Hershey, PA: IGIGlobal.
  • Thompson, D. (2010).
    The $12 Million Stuffed Shark: The Curious Economic science of Contemporary Art.
    New York, N.Y.: St. Martin’s Griffin, ISBN978-0230620599
  • Thorton, Southward. (2009).
    Seven Days in the Fine art Globe. New York, Due north.Y.: W.Westward. Norton & Company, ISBN978-0393337129
  • Wallace, Isabelle Loring and Jennie Hirsh,
    Gimmicky Fine art and Classical Myth. Farnham: Ashgate (2011), ISBN978-0-7546-6974-vi
  • Warr, T. (Ed.). (2012).
    The Creative person’s Body
    (Revised). New York, Due north.Y.: Phaidon Press, ISBN978-0714863931
  • Wilson, M. (2013).
    How to read gimmicky art: experiencing the art of the 21st century. New York, N.Y.: Abrams, ISBN978-1419707537

External links

[edit]

  • Which Phrase Best Describes Contemporary Art (8)
    Media related to Contemporary fine art at Wikimedia Commons

FAQs

What is the best describes of contemporary art? ›

Contemporary art is the term used for art of the present day. Usually the artists are alive and still making work. Contemporary art is often about ideas and concerns, rather than solely the aesthetic (the look of the work). Artists try different ways of experimenting with ideas and materials.

What is your definition of contemporary art? ›

Contemporary art is the art of today, produced by artists who are living in our time. It provides opportunities to reflect on society and the issues that are important to us and the world. It is part of a cultural dialogue that concerns larger contextual frameworks such as identity, family, community, and nationality.

How will you describe contemporary? ›

Things that are contemporary are either happening at the same time or happening now. Contemporary art is recent art. In history class, if you hear that one famous person was a contemporary of another, that means they lived at the same time. Contemporaries are people and things from the same time period.

What words relate to contemporary arts? ›

Glossary of Contemporary Art Terms
  • A. Abstract art. Abstract, non-figurative art does not imitate or portray any visible subject. ...
  • B. Beauty. The classical idea of beauty was based on pleasant and harmonious impression. ...
  • C. Chiasma. ...
  • G. Golden ratio. ...
  • I. Immersive. ...
  • K. Kinetic art. ...
  • M. Materials. ...
  • N. Net art.

Videos

1. INCLUSION AND DIVERSITY IN MUSEUMS: WHAT DOES THAT MEAN?
(Dartmouth)
2. #INSTAR @ documenta: The Curious Work of Art
(INSTAR_Cuba)
3. Saturday, IS2: Images, Texts, and Textiles: Woolf & Contemporary Art
(Woolf and Ethics: IVWS 2022 at Lamar University)
4. Episode 143 - Contemporary Art with Elliot Lovegrove
(Destination Arete)
5. ROOM 100 - Foundations & Topics 3 | When Is Contemporary Art?
(ICA at NYU Shanghai)
6. Peter Osborne - What makes Contemporary Art Contemporary? Or, Other People's Lives
(Nottingham Contemporary)

Top Articles

You might also like

Latest Posts

Article information

Author: Arielle Torp

Last Updated: 11/22/2022

Views: 6064

Rating: 4 / 5 (41 voted)

Reviews: 88% of readers found this page helpful

Author information

Name: Arielle Torp

Birthday: 1997-09-20

Address: 87313 Erdman Vista, North Dustinborough, WA 37563

Phone: +97216742823598

Job: Central Technology Officer

Hobby: Taekwondo, Macrame, Foreign language learning, Kite flying, Cooking, Skiing, Computer programming

Introduction: My name is Arielle Torp, I am a comfortable, kind, zealous, lovely, jolly, colorful, adventurous person who loves writing and wants to share my knowledge and understanding with you.